Posts Tagged ‘bloodwood’

  1. Brisbane Guitar Restoration, what’s involved?

    June 10, 2014

    Brisbane Guitar Restoration – the full story

    Brisbane Guitar RestorationRestoring vintage and rare instruments is the driving passion behind us here at the Guitar Repairers. Seeing a beautiful old guitar from say the 1890’s restored to a playable condition is what makes all our hard work really pay off.

    Why do we do it?

    Well, from a luthiery point of view we restore old guitars because:

    • Older timber is much more resonant. Over time wood dries out and the dryer it is, the harder it is, causing it to resonate sound rather than absorb it. (even modern kiln dried timber is not completely dried out)
    • The less moisture there is in wood the less it will move over time. Through seasonal changes new wood still warps and moves. An older guitar has done all its moving and warping so we’re left with very sturdy timber.
    • The timbers used in older guitars are of very high quality. Brazilian rosewood- the best quality rosewood- for example was once used almost exclusively in old guitars. Now a protected species, it is no longer allowed to be cut down and sold. Some Honduras Mahogany and types of spruce are becoming sparse and their lower grade equivalents are being used instead.
    • They all have stories. Dings, dents, scratches and marks, these are all tell tale signs that a guitar has led an interesting life. Knowing that an old 1900’s parlour guitar from the US of A was once some young musicians bread and butter makes for a much more interesting history than some man named Django CMCing them from a factory in Moosejaw, Canada.

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  2. Brazilian Bloodwood Nuts and Saddles

    February 10, 2010

    Disclaimer. The views expressed below are my views (Uncle Johnson). We will quite happily make you a nut and/or saddle in any material you like with the exception of compressed bat guana,

    For the last few years I have been trying to find alternative materials for making nuts and saddles. The traditional materials such as bone and brass have been proven over time and the more widely used modern materials such as Corian, Micata and Tusq are also very good……So why do I want to re invent the wheel? Because..

    1. Bone makes the work shop smell like an industrial dentist’s surgery when shaped and sanded. I also find it very difficult to get a regular supply of consistently hard, non porous bone. The tone can sometimes be a little too bright and even bit harsh depending on the application, and lastly it can be quiet “sticky” when used to make a nut, thereby causing strings to “click” or “creak”. This can affect the tuneability and tuning stability of the instrument. (more…)